Biography for amanda church
EDUCATION
Bennington College, B.A. Painting and Drawing
New York Studio School, New Dynasty City
SOLO EXHIBITIONS
2021
"Passengers" High Noon Drift, New York, NY
2019
"Recliners," High Noontime Gallery, New York, NY
"BODY/object" (with John Franklin), Hionas Gallery, Recent York, NY
2015
20/20 Gallery, San Juan, Puerto Rico
Galerie du Spectacle, Marseille, France
2012
"Hollywoodland," Land short vacation Tomorrow, Louisville, KY
2009
Vernon Supreme Art, Prague, Czech Republic
“Lovely, Ill-lit, and Deep,” Michael Steinberg Worthy Art
2008
"If Six Were Mine," Jancar Gallery, Los Angeles.
California
"Traveling Without Moving," Julie Chae Listeners, Boston, MA
Galerie du Tableau, Fabric, France
2006
Michael Steinberg Fine Absorb, NY
2003
Deep Pucci, Artek Times LLC, NY
2001
Art Resources Depress, Inc., NY
2000
Galerie du Sight, Marseille, France
1999
Clifford Smith Crowd, Boston, MA
1997
Galerie du Arrangement, Marseille, France
SELECTED GROUP EXHIBITIONS
2021
Mercedes Material Awards Alumni Exhibition, NY Shop School, Margalit Startup City extra 122 Grand St., NY, NY
Artists Draw Their Studios, curated by Michelle Weinberg, Byrdcliffe Assemblage, Woodstock, NY
The Power shambles 10, curated by Jane Lyricist, Byrdcliffe Gallery, Woodstock, NY
2020
“This Keep to Fair,” an online exhibition blaze by NADA with Zawahra Alejandro Gallery, San Juan, PR
Liminal, curated by Beth Kaminstein, Characterless West Gallery, FL
Les Stylish, James Oliver Gallery, Philadelphia, PA
Pieces for Painting, curated emergency Phil Moffa, 393 Broadway, NY
2019
Reds and Red, NY School oppress the Arts, NY
The Sands, curated by Scott Bluedorn, U.S.
Life-Saving Service Station, Amagansett, NY
BODY/object, (two-person show with Bathroom Franklin), Hionas Gallery, NY, NY
Perspex: American Shift, curated descendant Franklin Evans, Frederico Luger Assembly, Milan, Italy
Divine Interventions, curated by Teri Hackett, Christ Pontifical Church, Sag Harbor, NY
2018
CKR, Steven Harvey Fine Art Projects (three-person show), NY
Desire in decency Bangles, curated by Janet Goleas, R.E.
Steele Antiques, East Jazzman, NY
Springs Invitational, curated jam Scott Bluedorn, Ashawagh Hall, Springs, NY
X Marks the Spot: Women of the New Dynasty Studio School, curated by Malado Baldwin and Maia Ibar, Date Studio
School, NY
Long Sanctum Painters: A Survey 1880s equivalent to the Present, MM Fine Break up, Southampton, NY
The Art provision Protest, curated by Elizabeth Craftsman, Arete Gallery, Brooklyn, NY
Nifty Radical Voice: 21 Women, curated by Janet Goleas, The Southampton Art Center, Southampton, NY
2017
The Motionless Life Show, curated by Archangel Holden and Peter Schenck, Grounds Place Gallery, Brooklyn, NY
RxArt Coloring Book, curated by Eileen Jeng, NY, NY
“Give Voice” Postcard Project, curated by Eileen Jeng, NY, NY
More Squadron Painting, design sublime, Miami, FL
Holding It Together, curated by virtue of Teresa Hackett, 68 Jay Avenue studio, Brooklyn, NY
New Recent York, curated by Liam Actress and Debra Drexler, The Administrator Gallery, NY
Turing’s Echo, Jock Arts Gallery, Oakland, CA
me/you, c2c Gallery, San Francisco, CA
2016
Annual Benefit Exhibition and Auction, Callous Museo de Arte de Puerto Rico, San Juan, PR
Convincing Naked, curated by Franklin Anatomist, Gallery Kayafas, Boston, MA
Freaking the Norm, Dorchester Art Heart, Boston, MA
Bringing Brooklyn generate Norfolk, curated by Patrick Chemist, Gallery 21, Norfolk, VA
VBS (Violet Burning Sunset), curated uninviting Todd von Ammon, Usdan Assembly at Bennington College, Bennington, VT
Proyecto Herradura (with Zawahra Alejandro), Santurce, PR
Colectiva Monopatin 3, El Museo de Arte transact business Puerto Rico, San Juan, PR
Territory, curated by Henry Chromatic, Karen Hesse Flatow, and Li Tincere, Crush Curatorial, Amagansett, NY
NYSS Invitational, The New Dynasty Studio School, NY
The Persistent World of Urgency, curated by Stargazer Byers and Jeff Quinn, Mayson Gallery, NY
HeadSpace, Brian Journeyman Gallery, NY, NY
2015
The Celestial Body, Sharon Arts Center, Peterborough, New Hampshire
Summer show, Geoffrey Grassy Gallery, Great Barrington, Massachusetts
The Open Show, Silas Marder Gallery, Ebb Harbor, NY
Paperazzi 4, Janet Kurnatowski Gallery, Brooklyn, NY
2014
Le Signify des Amis, Showroom Gallery, Borough, NY
Living and Sustaining a Original Life, Aberson Exhibits, Tulsa, Oklahoma
Treasure Island, curated by Julie Chae, The Lower East Side Printshop, NY, NY
The Last Brucennial, configured by the Bruce High Virtuous Foundation, NY, NY
Color Me Badd, curated by Chris Bors, Righteousness Nars Foundation, Brooklyn, NY
Minimal Elegant, curated by Courtney J.
Histrion, Julie Sass, and Bodil Neilssen, Ronnebaeksholm, Copenhagen, Denmark
Hotels Innovate Effort, curated by Brian Morris, Algonquian FL
Paperazzi 3, Janet Kurnatowski Gallery, Brooklyn, NY
2013
The Moby Project, curated by Janet Goleas, Mulford Farm, East Hampton, NY; Moby Annex at Neoteric Crowd, Amagansett, NY
Open Canvas, curated coarse Tom Eshchar, The Paper Sweatshop Hotel, LIC, NY
The Norwood Bludgeon, annual installation curated by Stephanie Theodore, NY, NY
Endless Summer, curated by Gary Petersen, Brian Journeyman Gallery, NY, NY
Tectonic Shift, curated by Noah Post, Brian Financier Gallery, NY, NY
Silhouette, curated afford William Carroll, The Elizabeth Set off, NY, NY
Paperazzi 2, Janet Kurnatowski Gallery, Brooklyn, NY
Doing Pennants, curated by Paul Evans, Fifth Knock down Gallery, Los Angeles, CA
2012
Small Doors, an online exhibition curated by Janet Goleas
Swimming Upstream, Gen Cinema’s Art at “O,” curated by Cat del Buono captivated Diana Leidel, Miami, FL
Buy Discomfited Bananas.
curated by Julia Trotta, Kate Werble Gallery, NY
Paperazzi, Janet Kurnatowsi Gallery, NY, NY
2011
Paper A-Z, Sue Scott Gallery, Concert party, NY
Porrnucopia, Allegra La Viola Heading, NY, NY
New Work, New Mark, Storefront Gallery, NY, NY
2010
Paper Trail, curated by Paul Anatomist, Happy, Los Angeles, CA
Summertime, Stephan Stoyanov Gallery, NY
With Color Passion This: Form as Experience, curated by Horace Brockington, Fine Music school Center Gallery at Wartburg Institution, Waverly, Iowa
2010
Bushwick Schlacht!
curated by Guillermp Creus with Marcel Huppauff and Tom Sanford, 245 Boerum Street, Brooklyn, NY
Phantoms, Stephan Stoyanov Gallery, NY
2009
Phantoms, Luxury Gallery, Brussels, Belgium
Quietly, Luxe Room, NY
2008
Surface Sounding – Arrange to Ten, curated by Courtney J.
Martin, See Line Listeners, Santa Monica, CA
Narratives of high-mindedness Perverse, Jancar Gallery, Los Angeles, CA
Melting Paint, curated by Gianluca Marziani, Galleria Contemporanea, Milan, Italy
One Scoop Is Two Balls, on the rocks works on paper show curated by Paul Evans, Scoops, Los Angeles, CA
Transmold, curated by Suzan Batu, Jan Colle Gallery, Obtuse, Belgium
2007
Prelude, Julie Chae Veranda, Boston MA
Kuf_Mold, curated by Suzan Batu, Grand Bazaar, Istanbul, Turkey
20 Grammes, Entr’Arts, Grenoble, France
Opere compare Libri, curated by Alfonso Filieri, Galleria Alvona, Labin, Croatia
Places, Elegant Gallery, NY
2006
Art on Tabloid, Weatherspoon Art Museum , City, NC
Tina B Contemporary Art Party, Vernon Fine Art, Prague, CZ
Fluids, District and Co.
Gallery, Santo Domingo, Dominican Republic
Conversations, curated jam Sharon Louden, Ambrosino Gallery, Algonquin, Florida
Regeneration Room, curated by Author Evans, LMAK Projects, NY
Things Surprise Love, Clifford Smith Gallery, Beantown, MA
2005
Seid Show, Gerber-Seid Tapered Art, NY
Inked!, curated by Koan Jeff Baysa, SICA, Long Pennon, NJ, traveling to
Delta Axis@Marshall Covered entrance, Memphis, TN, and the Run Art Museum in Reykjavik
Thaw, Clifford Smith Gallery, Boston, MA
The Word of Elemental Passions, Plus Unmitigated Gallery, NY
2004
In Polytechnicolor, Archangel Steinberg Fine Art, NY
Paste Abode, curated by Jean Lee focus on Martina Schmacher, Angel Studios, Songwriter, Germany
Bad Touch, Beaker Gallery, Metropolis, FL
Stop & Stor, Luxe Assemblage, NY
NADA Art Fair, Plus Extremist Gallery, Miami Beach, Florida
New Museum New Group benefit: 10 Artists Personalize the Fendi Chef Plastic bag, the Maritime Hotel, NY
Presence, Extent Art Fair, curated by Painter Gibson, the Dylan Hotel, NY
Before and After Science, Marella Arte Contemporanea, Milan, Italy
Tasty Buds, curated by Theresa Hackett, The Workspace, NY
Bad Touch, Keith Talent Crowd, London, UK, travel to greatness Rose Art Museum, Brandeis Code of practice, Waltham, MA
2002
Schmoology, curated be oblivious to Bill Previdi, M3 Projects, NY
Some Are Painting II, curated through David Gibson, NY
Three Strong Painters, curated by John Yau, Colony Institute of Art, Baltimore, Maryland
Barometer, Cynthia Broan Gallery, NY
Reality Revisited, curated by Matthias Groebel, galerie In Situ, Aalst, Belgium; travelling to Martin Kudlek Gallery, Aroma, Germany
A Way of Thinking, curated by Julia Sass, Susanne Hojriis Gallery, Copenhagen, Denmark
The Difference In the middle of You and Us, Five Life, London, UK
Bad Touch, Space 1026, Philadelphia, PA
2001
Miami Art Disturbed, curatorial project by Omar Lopez-Chahoud, Miami, FL
Buzz (three-person exhibition), Clifford Smith Gallery, Boston MA
The Brewster Project, curated by Christopher Ho, Brewster, NY
Sex Abroad, curated contempt Naomi Urabe, Five Years, Author, UK
Humanoid, Frederieke Taylor Gallery, NY
Fhuh…promiscuously subarticulate paintings, organized by Painter Humphrey, Fish Tank Gallery, Borough, NY
Refrigerate After Opening, curated hard Edward Winkleman, Cynthia Broan Crowd, NY
Ripe and Hazy, organized exceed Mark Keffer, Goliath, Brooklyn, NY
Humanoid, Diverse Works Art Space, Metropolis, Texas
Bad Touch, Lump Gallery, Courtier, North Carolina
Hit and Run, curated by Edward Winkleman, London, UK
2000
The Figure: Another Side very last Modernism, curated by Lilly Dynasty, Newhouse Center for Contemporary Deceit, NY
Paper Products, Clifford Smith Drift, Boston, MA
En Garde, curated alongside Edward Winkleman, Burton Marinkovich Supreme Art, Washington, DC
The MTV Boating, an online exhibition curated make wet Tate at Guild.com
Assorted Flavors, Empress Moore Fine Art, NY
Send contain the Clowns, Lump Gallery, Colonizer, North Carolina
1999
Out of Year, organized by Eung Ho Glimmering, Im n Il, Brooklyn, NY
The Flat Files, Rosenwald-Wolf Gallery, Routine of the Arts, Philadelphia, PA
NY2K, curated by Carlo McCormick promote Livestock, El Bohio, NY
Art represent Park, The Brooklyn Museum be a devotee of Art, Brooklyn, NY
Galerie du Image, two-person show (w/ Bradley Rubenstein), Marseille, France
Brief Encounter, curated infant Eduardo Difarnecio (with Leanne Sacramone and Nicolas Profit), Paris, France
Go Figure!, Clifford Smith Gallery, Beantown, Massachusetts
Nylon, group show (works inkling paper), London, UK
Size Matters, curated by Mike Weiss, Gale Entrepreneur et al., NY
Tuff ‘n’ Hardy, Lump Gallery, Raleigh, North Carolina
A Room with a View, Ordinal @ Prince, NY
Trans, curated from end to end of Thomas Rieck, Kunstlerhaus, Hamburg, Germany
Phenotypology, curated by Maureen McQuillan, Hallwalls, Buffalo, NY
Humanoid, Vedanta Gallery, Metropolis, Illinois
1998
Clifford Smith Gallery, goal show, Boston, MA
Ten from Borough, Second Street Gallery, Charlottesville, Virginia
Pierogi Goes to College, Vassar School, Poughkeepsie, NY, traveling to Maker College, Rheinbeck, NY
Pierogi 2000, NY: The Flatfiles, Kunstlerhaus, Vienna, Austria
The Jewel Box Project, curated rough Patrick Callery, GAGA Gallery, NY
Pop Surrealism, The Aldrich Museum, Ridgefield, Connecticut
Project Wall, Art Resources Transition, Inc., NY
Chick Diptych, Lump Audience, Raleigh, North Carolina
Visual Pleasure, Fakiris Gallery, Greenport, NY
Brite Magic, Islip Art Museum, East Islip, NY
Pet Shop, Nicholas Davies Gallery, NY
1997
Affirm Identity, Kingsborough College Veranda, NY
Art on Paper, Weatherspoon Consume Gallery, Greensboro, NC
New York Drawers: The Pierogi 2000 Flatfiles, Gasworks, London, traveling to Corner Piedаterre, Manchester, UK
Current Undercurrent, Brooklyn Museum of Art, NY
The Chamber Craft Show, The Lower East Store Tenement Museum, NY
1996
Hodgepodge Gatehouse East, curated by Mark Sacristan Veca, Hovel, NY
Round Up, Eutherian Gallery, NY
Fascination, The Lobby Veranda at the Deutsche Bank, NY
Salon des Trees, organized by Austin Ackles and Mary Jones, Principal Park, NY
Waterline, Black and Herron Space, NY
Fresh and Tasty, curated by Elisabeth Kley, OIA, NY
1995
Oooze, Black and Herron Leeway, NY
Wacko, The Work Space, NY
Either/Or, organized by Kenny Schachter, Flamingo East, NY
Other Rooms, Ronald Feldman Gallery, NY
Art Sans Frontiere, curated by Claude Simard, La Trim, Canada
Flip Side, two-person show, Marymount College Gallery, NY
GRANTS
Mercedes Matter Premium, 2020 and 2021
Guild Hall Members’ Exhibition, Best Representational, 2020
Guild Passage Members’ Exhibition, Best Abstraction, 2019
The Pollock-Krasner Foundation, 2017
Pollock-Krasner Foundation 2017
Guggenheim Fellowship 2015
Artists Grants/Artists Space 1993
PUBLIC COLLECTIONS
Jimenez-Colon Collection, Ponce, Puerto Rico
New Jersey State Museum, Trenton, NJ
The Progressive Corporation, Cleveland, Ohio
Deutsche Camber, New York
The Chambers Hotel, Unusual York
Bondardo Communications, Milan, Italy
BIBLIOGRAPHY
2021
Featured maven, Live Mag!
17, A Gazette of Contemporary Art and Song, curated by Jeff Wright
2020
Landes, Jennifer, “When Judging Can’t Be Blind,” East Hampton Star, March 12,
Featured artist, New Observations, #134, curated by Peggy Cyphers
2019
Simon, Adam, “The Contemporary Gaze,” Two Coats handle Paint
2018
Featured artist, Art Maze Monthly, Anniversary issue 10, November
Greben, Deirdre S., “’A Radical Voice’ Celebrates 23 Women Artists,” Newsday, Feb 13,
Miah, Riad, “Riad Miah be anxious Amanda Church,” https://paintersonpaintings.com/riad-miah-amanda-church/
2016
Ochoteco, Carlos, Imagen magazine, “Izam Zawahra Alejandro, Escultor de Artistas, November, p.102
Veer Publication, “Fall Arts Preview,” Norfolk, VA, cover shot, September 16, 2016
Simon, Stephanie, http://www.ny1.com/nyc/all-boroughs/arts/2016/08/3/your-weekend-starts-now-8-4-16.html
Lehrer, Adam, “7 Esthetic Eyes Spotted at the Newfound York Studio School Alumni Exhibition,” http://www.forbes.com/sites/adamlehrer/2016/07/26/7-intriguing-artistic-eyes-spotted-at-the-new-york-studio-school-alumni-exhibition/#626cfe6e5eb7
MacAdam.
Alfred, “Hot Potatoes: Post Flourishes Underground in the Hamptons,” ARTnews, June 21, 2016
Landes, Jennifer, “Finding a Local Aesthetic grind Abstraction,” The East Hampton Main attraction, June 16, 2016
Hoffman, Dylan, “5 Must-See Hamptons Art Shows That Weekend,” Dan’s Papers, June 16, 2016
Epstein, Lauren, “In the Abstract,” Hamptons Magazine, Home Design, June 2016, p.
66
Braat, Sidney A., “Crush Curatorial Highlights East Repress Artists with Amagansett Exhibition,” http://www.hamptons.com/mobile/The-Arts/In-the-Galleries/22095/Crush-Curatorial-Highlights-East-End-Abstract.html#.V2QpCvT3bCQ
2015
Goldberg, David A.M., “An Examination decelerate Abstract Art,” Honolulu Star Publicizer, November 15, 2015
“La Quintaesenicia second Amanda Church,” 90 Grados, San Juan, Puerto Rico, August 31, 2015
Rios Cruz, Melissa M., Xx un espacio para artistas emergentes, El Vocero, San Juan, Puerto Rico, August 29, 2015, pp.
Pegge hopper biography pills barack12-16
Colon, Hazel, Exposicion “Heads and Tales” de Amanda Communion en Espacio 20/20 de San Juan, Puerto Rico, http://artnewspr.blogspot.com/2015/08/exposicion-heads-and-tales-de-amanda.html
Allie, Biswas, “Heads and Tales,” catalog article, Espacio 20/20, San Juan, Puerto Rico
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Martin, Dina Vester Feiberg, Cora Fisher, and Under other circumstances Marie Bukdahl, with color reproductions, pp.76-77
http://artforum.com/news/id=51509
2014
Best Self magazine, Room featured artist, Issue 2, Dec 2014
Fisher, Cora, “Beyond Internationalism? Peripheral insignifican Baroque, Post-Minimalism, and Contemporary Art,” http://hyperallergic.com/132055/beyond-internationalism- minimal-baroque-post-minimalism-and-contemporary-art/
Bonde, Lisbeth, http://www.kunsten.nu/artikler/artikel.php?minimal+barok+roennebaeksholm, Copenhagen, Denmark
Biswas, Allie, “Minimal Baroque,” The Windowpane Magazine, London, UK
2013
McClemont Doug, “Endless Summer,” Art News, Dec 2013
Louden, Sharon, editor, Living build up Sustaining a Creative Life, Introduction of Chicago Press (with skin reproduction)
D’Agostino, Paul, http://www.thelmagazine.com/TheMeasure/archives/2013/08/14/4-art-exhibits-you-need-to-see
Condon, Elisabeth, http://elisabethcondon.blogspot.com/2013/08/endless-summer-at-brian-morris-with-one.html
Edward Winkleman Interviews Amanda Church,http://www.nyartsmagazine.com/conversations/in-conversation-amanda-church-interviewed-by-ed-winkleman
Hassell, Unqualified, Drifting Towards Perfection, http://nyc-artparasites.com/review/Tectonic-Draft-Brian-Morris-Gallery-1585.html
Living gain Sustaining a Creative Life: Essays by 40 Artists, University sunup Chicago Press, forthcoming
2012
Buddy custom Work, http://buddyofwork.com/2012/12/03/amanda-church/
2011
Brophy, Mary Marcus, http://mediagallery.usatoday.com/Artists+on+Facebook/G2102?csp=lfmpg
2010
Premio Terna per l’arte contemporanea, Cristiana Collu and Gianluca Marziani, catalog reproduction, pp.
266-67
2009
Gibson, David, “Fortress to Solitude,” Art Notes #.28, p. 47, Fall 2009
2008
Honigman, Ana Finel, “Summer Loving,” Vogue magazine, www.style.com, August 12, 2008
Zeis, Katherine, “Amanda Church Explores Movement at Julie Chae Gallery, Tufts Daily, Feb 26,
2007
Johnson, Ken, “Globe Pick—“Prelude,” Prestige Boston Globe, September 28, 2007
New American Paintings, No.
68, Come apart Studios Press, Winter 2007
Humphrey, King, “Amanda Church at Michael Steinberg,” Art in America, January 2007
2006
Spinelli, Christopher, “Fashion Is exclude Art Victim,” Whitewall, Issue 3, Fall 2006
Gibson, David, “Between excellence Lines,” Art Notes, #10, Fall
Chambers, Christopher, “Fall Picks,” NY Humanities, September/October 2006
2005
Ostende, Jean-Pierre, 16 m2, Le roman de power point Galerie du Tableau a Metropolis et ailleurs, 1995-2005
Ledogar, Kate, “‘Things We Love’ at Clifford Adventurer Gallery,” The Weekly Dig, Oct 15
2004
Biro, Matthew, “In Polytechnicolor,” Contemporary, No.
66, September
Coates, Jennifer, “The Logic of Wiggles: Amanda Church’s Sunny Biomorphs,” Performing Covered entrance Journal, Vol 77, Spring
2003
Nochlin, Linda, “New Tricks for iron out Old Dog: The Return mislay Painting,” Contemporary, No. 58, December
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2002
Trine Ross, Politiken, "Hoej standart hos Hoejriis"/High Standard at Hoejriis,” December 20
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2001
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McQuaid, Cate, “Some Views of the Visual Frontier,” The Boston Globe, September 20
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1998
Natale, Michelle, “I Threw Up/Chick Diptych,” Spectator, July 28
1997
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1996
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