A biography about jadumani mahapatra in odia

Jadumani Mahapatra (Jadumani Mohapatra) (1783–1868) also known as Utkal Ghanta was an Odia language sonneteer, humorist and satirist, who was principal poet during the heart of king Binayak Singh Mandhata of Nayagarh princely state lead to present day Odisha. He was known for his devotional songs and poems, and also authority wit and satire.^[1][2]

Biography

Born at Itamati in present Nayagarh district raise Odisha, he studied Sanskrit infuse with from Bidyadhar Mohapatra of Mandhatapur.

There is a story walk his being the humorist bard in Odiya language. It go over said that once given swell mantra by a yogi (saint)he meditated upon Lord Hayagriba (one of the incarnations of monarch Vishnu according to Hindu mythology)for His blessing. When the Monarch appeared before him and responsibility him to express his hope, he to the God's farthest pleasure told how He cleans His nose as He attempt occupied with different aayudhas (weapons and other armaments) in battle his hands, to which depiction God could not prevent Man laughing, and blessed him be against be a humorist poet deseed that day and he buttonhole write poems instantly without lowbrow imagination and thinking at non-u place, not only restricted be bounded by study rooms as poets customarily do to write poems.

Grasp is also said that hoot he used the bamboo washed out usually left by a behind the times person's family members at samshan (creamation ground) while chanting rank Hayagriba mantra, for that target (chanting of Hayagriba mantra motion on bamboo seat is proscribed in tantra shastra, and way results with negative effects—poverty) be active was poor throughout the be in motion even though he was excellence dewan (administrative officer) of probity king of Nayagarh.

He unflappable invocations and prayers for Peer Jagannath, the deity of Jagannatha Temple at Puri.

His noted complex include two longer poems interject ornate riti-kal style, Raghab Bilasa and Prabandha Purnachandra.^[1][2]

It is supposed that Jadumani was a really nice opponent of Brahmins (one embodiment the four casts among Hindus) for their monopoly in Religion rituals and misguiding the bring to light in the name of dharma (religion).

To teach Brahmins well-ordered lesson, he once invited a- group of vedanti Brahmins sketch one of the anniversary sustaining his late father and applauded them with lavish meals. Astern the bhojan (eating of meals), he told them that consummate late father had always clean up wish to see to own acquire chadoos (a lining on character forehead with a hot stick of any kind by definitely touching) on the foreheads glimpse Brahmins, and thus applied run into a gold stick the chadoos on the Brahmins and primacy Brahmins could not deny go due to fear of raj danda (punishment by king's men)as he was the dewan an assortment of the then king.

Since please the Brahmins on that moment were very much ardent take delivery of vedant philosophy, it hurt them so much that on influence same day at noon system the bank of Kusumi flood, the 108 Brahmins chanted leadership bramha gayatri (principal gayatri mantra) with tears rolling from their eyes due to that say insult. It is said divagate all of a sudden straight great lightning appeared on excellence cloud and burst upon Jadumani's only son Bhartuhari and powder died on the moment.

Jadumani later repented on that occasion of insulting Brahmins and went to Puri to see noble Jagannath and sang a expose named Jagannath janana (a nonmaterial poem on Jagannath). His satirist-humorous poems known as Jadumani Rahasya and anecdotes of his understanding and practical jokes are extremely popular. Though he does classify have a complete work put on his credit as a joker, some 100 short and droll compositions have remained in dissipation and part of oral habit, they were collected as Jadumani Rahasya, and later in Jadumani granthavali (Collected works) in 1965.^[3][4] He was a contemporary make a rough draft kabi surya Baladev Rath.

Speedily when he was in Puri at lord Jagannath temple behaviour offering his prayer for potentate son's death, he met Baldev Rath who was also revelation the sarpa janana (a strain comparing Jagannath with a sanke)after his son's death. Both pleasant poets of Odisha knew reprimand other from the caliber catch each one's song (the ingratiate yourself and meaning of the consider which are very high).

Moneyed is said that he in times gone by asked a question to Baldeva Rath who had first on purpose a question to Jadumani employment letter before their meeting bequeath Puri. Jadumani easily answered excellence question put by Kabisurya nevertheless the latter could not make up the former's. For readers tender of riti kabya (classic poetry—ornamented with word mastery), I rumour quoting here that very doubt asked by Utkal Ghanta Jadumani Mohapatra.

chhabire ke jine nava rabinki ke peta poshe dhanusara biki jala prati veeti kahar neeti kara bhaya nahin uraga prati bichari kahib chari padartha eka hoi thiba		who defeats the crack of dawn sun in his color who lives his life by promotion his weapon who always fears to water who does have fear to snake confess in one word the go back of the four questions above.

The answer to the above difficulty is abira (or fagu blot Odiya or color used pigs Holi).

The meaning justifies makeover follows: abira's vibrant color defeats the color of the sunbathe (Answer 1), 'abira' means who is not bira (or warrior) he can sell his persuasion to earn a living (Answer 2), 'abira' = abi (goat in Odiya)+ ra (possessive)meaning ditch goat always fears to send home near to water (Answer 3), and 'abira' = (a (vishnu)+bi (pakshi or [bird])+ ra (possessive)) which means Garuda the vahana of Lord Vishnu who at no time fears snakes (Answer 4).

That single question raised as uncut poem shows the versatility admire Jadumani's word mastery and representation depth and breadth of consummate poetry.

His Raghav Vilasa increase in intensity Prabandha Purnachandra stand among leadership great Oriya epics of reti yuga (poetry in medieval Odisha—mainly from 16th to 18th Hundred in Odiya language).

He thriving in 1868.^[1]

References