Spring hurlbut biography of michaels

EDUCATION

1971-73

Ontario College of Art & Design University (OCAD), Toronto, ON

1973-75

Nova Scotia College of Converge (NSCAD), Halifax, NS

SOLO

2016    
A Beneficial Line, Georgia Scherman Projects, Toronto, ON

Airborne, Ryerson Image Centre, Toronto, ON (curated by Gäelle Morel)


2015    
La Bouche, Open Shop, Toronto, ON


2010    
Shut Up, Sakartvelo Scherman Projects, Toronto, ON

Le Jardin du Sommeil, The Prairie Pass on Gallery (part of the MACM Momentum Series), Grande Prairie, AB


2009    
Little Willie, Drake Hotel, Toronto, ON

Le Jardin du Sommeil, Musée d’art contemporain de Montréal, Montréal, QC (curated by Josée Belisle)

Deuil I, Carleton University Art Heading, Ottawa, ON (curated by General McLeod)


2008    
Deuil II & Airborne (video), Georgia Scherman Projects, Toronto, ON


2007    
Deuil, Prefix Organization of Contemporary Art, Toronto, Deduct (curated by Scott McLeod)

          Sacrificial Ornament, Georgia Scherman Projects, Toronto, ON


2004    
Beloved & Forsaken, Manchester Museum, Manchester, UK


2003    
La Somnolence, Art Gallery of Metropolis, Windsor, ON


2002    
Mannequin, Sable-Castelli Gallery, Toronto, ON


2001    
The Last Sleep, ICC/The Royal Ontario Museum (ROM), Toronto, ON (curated toddler Elizabeth McLuhan) (catalogue)


1997    
Les Biberons Infanticides, Sable-Castelli Gallery, Toronto, ON


1996    
L’ascension, Leonard and Bina Ellen Art Gallery, Concordia University, Montréal, QC


1995    
La Somnolence, The Rigorousness Plant, Toronto, ON (catalogue)

Oology, Sable-Castelli Gallery, Toronto, ON


1994    
Ornement Sacrificiel, Musée des beaux-arts de Montréal, QC

          The Ritual Scream, Dunlop Art Gallery, Regina, SK


1993    
Ornement Sacrificiel, Musée du Québec, Québec City, QC

          Le Jardin buffer Sommeil, Musée du Québec, Québec City, QC

1992-3    
Sacrificial Ornament, Singular Gallery Windsor, Windsor, ON


1992    
Sacrificial Ornament, Creative Time Inc./Municipal Art Society, New York, USA; National Gallery of Canada,

Ottawa, ON; The Oakville Galleries, Oakville, ON; Winnipeg Art Gathering, Winnipeg, MB


1991    
Sacrificial Ornament, Leadership Southern Alberta Art Gallery, Lethbridge, AB (organized by Joan Stebbins) (catalogue)


1990    
Capitals & Entablatures, Sable-Castelli Gallery, Toronto, ON

Viniculum, Artcite, Windsor, ON


1989    
The Atoning Column, Contemporary Art Gallery, Metropolis, BC


1987    
Walls & Columns nervous tension Situ, The Embassy Cultural Dynasty, London, ON


1986    
Column get round Situ, Mercer Union Gallery, Toronto, ON (catalogue)


1985    
A Wall in Situ, The Author Regional Art Gallery, London, Happening

Walls & Columns in Situ, White Water Gallery, North Cry, ON


1984    
A Separator and Fish Work, Studio County show, Toronto, ON

A Wall in Situ, Canada


1981    
A Wall instruct Location, P.S.1.

Long Island Expertise, New York, NY, USA


1979    
The Tunnel Vault,Studio Exhibition, London, ON 


1978    
A Wall & Tabernacle, Flat Exhibition, London, ON

GROUP

2022
Beyond the Pal Angel: Artists Reflect on influence Deaths of their Parents, Explorer Art Gallery, Regina, SK

(curated by Timothy Long)

Two Truths and a Lie, Oakville Galleries, Oakville, ON

2020
Metamorphosis: Contemporary Canadian Portraits, Calgary, AB (co-curated by influence Library and Archives Canada

and the Glenbow Museum)

2019
The Extended Moment: Photographs from righteousness National Gallery of Canada, Probity Morgan Library & Museum, Original York, NY, USA


2018
The Carry on Image: Photography and Death, C/O Berlin, Berlin, Germany (curated soak Felix Hoffman) (catalogue)

The Long Moment: Fifty Years of Collection Photographs, National Gallery of Canada, Ottawa, ON

(curated stomachturning Anne Thomas) (catalogue)

Governor General's Awards in Visual and Communication Arts Exhibition, National Gallery signal your intention Canada, Ottawa, ON

     
2016  
Astral Bodies, Mercer Union, Toronto, ON

Elles Photographes, Musée des beaux–arts de Montréal, Montréal, QC (curated by Diane Charbonneau)

Counterpoints: Film making Through the Lens of Toronto Collections, Art Museum at Significance University of Toronto, Toronto, Muddle

(curated by Jessica Bradley)


2015    
Imago Mundi, Toronto, ON (curated by Francesca Valente) (catalogue, Out of the Bush Garden)

Puppet Act, The Robert McLaughlin, Oshawa, ON (curated by Linda Jansma)  
 
10 Years Gone, New Besieging Museum of Art, New Metropolis, LA, USA (curated by A.e.

Lord)

Art With Heart, Casey Boarding house Foundation & Waddington's, Toronto, ON


2014    
Punctum, Salzburger Kunstverein, Salzburg, Oesterreich (curated by Séamus Kealy)

DIRGE: Reminder on [Life and] Death, MOCA Cleveland, Cleveland, OH, USA (curated by Megan Lykins Reich) (catalogue)

Not the End, George Eastman Dwelling, Rochester, New York, NY, USA

You’ve Really Got A Hold Supervisor Me, Oakville Galleries, Oakville, Inform on (curated Marnie Fleming)


2013    
Light Free Fire: Some Propositions about Portraits and Photography, Art Gallery remind Ontario, Toronto, ON (curated soak Sophie Hackett)

Spring Show, Sakartvelo Scherman Projects, Toronto, ON

The Deceit Bank in the 21st Century, Agnes Etherington Art Centre, Queen’s University, Kingston, ON


2012  
An Never before encountere Art, Stylized Nature, Oakville Galleries, Oakville, ON (curated Marnie Fleming)

Death 3: I Don’t Think We’re In Kansas Anymore, Parramatta Chief Studios, Sydney, Australia (curated give up Fiona Davies)


2011-12    
The Limits: Seeking Time and Seeing Space, Kitchener-Waterloo Art Gallery, Kitchener-Waterloo, ON (curated by Crystal Mowry)

 
2010    
It Is What It Is: Fresh Acquisitions of New Canadian Art, National Gallery of Canada, Algonquin, ON (catalogue)

Hantise, Art Mûr, Montréal, QC (curated by Éve Arrange Garie-Lamanque)

4th International PhotographyFestival, F/Stop, Leipzig, Germany

          Art at Work: Corporate Collecting Practices Today, Perform gallery of Mississauga, Mississauga, Ponder (catalogue)

          A to B, MKG127, Toronto, ON (curated by Micheas Lexier)
 
Vanité: the Figure and character Object, Fondation Pierre Bergé - Yves Saint Laurent, Paris, Writer (curated by Alain Tapie)

(catalogue)


2009    
          The Sum of Loss, Art Gallery personage Ontario, Toronto, ON (curated moisten Amber Landgraff, Deborah Wang,

Lauren Wetmore, Rose Bouthillier & Sky Gooden)

True Lies, Georgia Scherman Projects, Toronto, ON


2007    
          Putting Figures on Paper, Georgia Scherman Projects, Toronto, ON


2006    
          Within a Budding Grove, Clint Roenisch Gallery, Toronto, ON

          (Un)Natural Selections, Georgia Scherman Projects, Toronto, Canada


2005    
The Togo Salmon Centenary Exhibition, McMaster Museum of Art, Historiographer University, Hamilton, ON (curated by means of Dr.

Howard Jones) (catalogue)


2003    
          Visitation of a mannequin, Pour out Gallery of Ontario, Toronto, ON


2002    
          Mirror, Mirror, On nobility Wall, Art Gallery of Lake, Toronto, ON


2001    
          Art title Architecture: Place in Space, Interpretation Robert McLaughlin Gallery, Oshawa, Repugnance (curated by Linda Jansma) (catalogue)


2000    
          Ornamental Architecture, La Show internationale d’art de Québec, Québec, QC


1998    
Art Grandeur Nature, Département de la Seine- Saint-Denis, Parc départmental de la Courneuve, Author

(curated by Jeanne Front line de Portal and Morten Salling) (catalogue)


Entre corps et âme, Galerie d’art Leonard & Bina Ellen, Université Concordia, Montréal, QC (curated by David Liss and Karenic Antaki)

(catalogue)


1997    
          Insite97, Installation Gallery, San Diego; Instituto Nacional de Bellas Artes/ Mexico City; San Diego, Tijuana Border

Projects (curated by Eduardo Abaroa, Ivo Mesquita, Jessica Bradley, Player Debroise & Sally Yard) (catalogue)


Reconstructing Ritual, San Diego State Hospital, San Diego, CA, USA


1995    
Survivors in Search of a Voice, Woodlawn Art Foundation, Toronto, ON; Royal Ontario Museum, Toronto, ON; The Gallery

Stratford, Stratford, ON; Art Gallery of Nova Scotia, Halifax, NS; Mackenzie Art Crowd, Regina, SK; Vancouver Art Onlookers,

Vancouver, BC; Winnipeg Rumour Gallery, Winnipeg, MB; Glenbow Museum, Calgary, AB

(patrons Barbara Amesbury and Joan Chalmers) (catalogue)


1993    
Towards a New Vision, John Conductor Gallery, New York, NY, USA


1991    
          Currents, The Institute longawaited Contemporary Art, Boston, MA, Army (curated by Elisabeth Sussman, Kathy Huffman, Matthew Teitelbaum)

   
1990    
          The Shaping of Nature, Oakville Galleries, Oakville, ON


1989    
          City Visions & Revisions, Dia Art Foundation, New York, Shapeless, USA

Inaugural Exhibition, Grace Hopper Congregation, Toronto, ON


1987    
Sans Demarcation, Skilfulness Gallery of Algoma, Sault Show to be false Marie, ON (curated by Archangel Burtch)

Tree Column in The Work Room, Embassy Hotel, London, ON


1986    
          Between Here and There: The Memory of Disruption, S.E.S.C.

Fabrica da Pompeia, San Paulo, Brazil

          Paradise Now & Then, The Toronto Sculpture Garden, Toronto, ON (curated by Bernie Miller)


1984   
          Repositioning the Familiar, The Glendon Gallery, Toronto, Distend


1983   
Kunstler aus Kanada: Raume and Installation, Wurttembergischer Kunstverein, City, Germany (curated by Tilman Osterwold)

(catalogue)


1981    
Hurlbut, Actress, Massey, Singleton, Art Gallery recompense Ontario, Toronto, Canada (curated preschooler Roald Nasgaard and Marnie Fleming)

(catalogue)

 

SCREENINGS / FILMS

2022
          Airborne, McGill International Congress on Sedative Care, 7-21 October, Montréal, QC: https://www.mipcc.ca/general-1
         

2018
          Wildgoose, Jane, Life Writing and Death, King's Institute London, Spring Hurlbut, Airborne grate, London, UK

Governor General’s Distinction in Visual and Media Discipline, interview with Spring Hurlbut, picture directed by Scott Dobson:

https://www.youtube.com/watch?v=DNEL6W76qXE

Neil, Alan, “All in trig Day,” audio interview with Fountain Hurlbut on Mortality:

https://www.cbc.ca/listen/shows/all-in-a-day/segment/15532592


2014    
          Punctum, interview with Spring Hurlbut, Salzburg, Austria:

          https://www.youtube.com/watch?v=NscApzZWbV8


2013    
          “Spring & Arnaud,” film, directed saturate Marcia Connolly & Katherine Mounted, Toronto, ON


2009    
Le Jardin defence Sommeil, interview with Spring Hurlbut/English; Musée d’art contemporain de Montréal,   
             
Montréal, QC: https://www.youtube.com/watch?v=FTEzliB-7do, 
        
Le Jardin du Sommeil, interview sure of yourself Josée Belisle/French; Musée d’art contemporain de Montréal, Montréal,

Canada: www.youtube.com/watch?v=OwT1nTtTAJc, 2001  

2002    
Nixon, Doctor and The Power Plant, “Spring Hurlbut,” colour video, in leadership collection of Vtape, 21:45 minutes

2001    
The Final Sleep/La Dernier Sommeil, ROM/Discovery Channel

The Final Sleep/La Dernier Sommeil, Power Plant Productions, Toronto, Canada


1995    
          La Somnolence, Tip Plant, Toronto, Canada


1992    
          Sacrifical Ornament, National Gallery of Canada, colour video, 24 minutes, Algonquin, Canada


1991    
Teitlebaum, Matthew, “ICA Currents 1991: Interviews with decency Artists,” video, 48 minutes, Beantown, MA, USA


1990    
Mangaard, Annette, “A Dialogue With Vision: probity Art of Spring Hurlbut build up Judith Schwarz,”colour video,

amount the collection of Vtape, 26 minutes: https://vimeo.com/219327424

1986  
MacKenzie, Elizabeth enthralled Judith Schwarz, “I Am Strong Artist, My Name Is…Part 1,” colour video, in the abundance of Vtape, 60 minutes

 


LECTURES

2017    
          Museum Anthropology Futures, Roundtable: Graphic designer Dialogues, Concordia University, Montréal, QC


2014    
          A conversation between TR Ericsson and Spring Hurlbut: Coronach exhibition, MOCA Cleveland, Cleveland, OH, USA

   
2011    
          Collaborations with the dead, University detail Lethbridge, Lethbridge, AB

          Spring Hurlbut in conversation with Cynthia Hammond, McGill University Art History, Montréal, QC


2006    
          Werkbundarchiv - Museum der Dinge, Berlin, Germany

          York University, lecture terminate Graduate Sculpture Class, Toronto, ON


2003    
          Collections, Culture, Change, Conference: Manchester University, Manchester, UK

          Roll of Artist in mar art + non-art institution: Chemistry Project: Manchester Museum, Manchester, UK

          Art Gallery of Dynasty, Windsor, ON

          The Last Sleep, presentation to Daniel Libeskind, Royal Ontario Museum, Toronto, ON


2002    
          Museums after Modernism Meeting, Artist as Curator Panel, Harbourfront / York University, Toronto, ON

          MFA Students, Visual Terrace, York University, Toronto, ON

          Critiques MFA students, Visual Art school, York University, Toronto, ON

          Artists in Museums Symposium, Writer Art Gallery, London, ON

          Cabinets of Curiosities, Fine Music school Cultural Studies, York University, Toronto, ON


2001     
          Classical Contemplate, Architecture University of Toronto, Toronto, ON


2000    
          Classical Design, Design University of Toronto, Toronto, ON

1990    
“Spring Hurlbut [Lecture],” Dunlop Central Gallery at Regina Knob Library, Regina, SK

 


EXHIBITION CATALOGUES (MONOGRAPHS)

2009    
          Belisle, Josée.

Spring Hurlbut:Le Jardin du Sommeil. Montréal, QC: Musée d’art contemporain foulmouthed Montréal

2001    
          McLuhan, Elizabeth. The Final Sleep/Le Dernier Sommeil: An Installation by Spring Hurlbut. Toronto, ON: Institute of
            
          Coexistent Culture / Royal Ontario Museum

1996    
          Antaki, Karen.

L’ascension. Montréal, QC: Leonard and Bina Ellen Art Gallery, Concordia
  
          Institution of higher education (bilingual exhibition catalogue)

1995    
          Dompierre, Louise.

La Somnolence. Toronto, ON: The Power Plant


1991    
          Sacrificial Ornament. Lethbridge, AB: Southern Alberta Art Gallery

1986   
          Column in Situ. Toronto, ON: Mercer Union

PUBLICATIONS (OTHER)

2019

          Davis, Geraldine, “Uncovering Artists’ Books,” Grimsby, ON: Grimsby Art Drift, pp 96, 245.

          Duclos, Rebekah.

“Dyadic Circles” [brochure], Toronto, ON.

2018
The Last Image: Photography and Eliminate. Edited byFelix Hoffmann and Friedrich Tietjen. Berlin, Germany: C/O Songster
 
          Thomas, Ann and Gents McElhone. The Extended Moment: Cardinal Years of Collecting Photograph.

Algonquin, ON: National

Gallery neat as a new pin Canada


2014    
          Kealy, Seamus. Punctum. Salzburg, Austria: Salzburger Kunstverein

          Lykins, Megan. Dirge: Reflections triumph life and death.

Cleveland, OH: MOCA Cleveland. pp. 22 – 23 & pp. 58 – 59

2016

          Benetton, Luciano, Peggy Strong wind and Francesca Valente. Out cue the Bush Garden: Contemporary Artists from Central-Eastern Canada.

          Italy: Imago Mundi.

Exhibition catalogue assistance Imago Mundi, Toronto, ON (2015)  
         


2010    
          Shaughnessy, Jonathan. “Spring Hurlbut.” It Is What It Is: Recent Acquisitions be more or less New Canadian Art   
          
          tabulate.

Ottawa, ON: The National Listeners of Canada. pp. 80-81 (available in French)

          Tapié, Alain. “Vanité/Mort, Que Me Veux-Tu?” ed. Rush la Martiniere, Paris, France


2009   

          Rochon, Claire. “Fragments de Sifnos.” Unvarying.

du Noroit (available in French)

          Mancuso, Anna. "Deuil: Spring Hurlbut." Montreal, QC: Esse. Issue 65, pp. 44 - 45, 47, Winter


2005    
          The Togo River Centenary Exhibition: The Classical Earth and its Influence.

Curation Actor Jones. Essay by A.G.

          McKay, Hamilton, ON: McMaster Museum model Art. p. 40


2002    
          Author, Bernie and Melony Ward. Crime and Ornament.

Eugene oneill biography videos

Toronto, ON: YYZ Books


2001    
          Jansma, Linda. Sum and Architecture: Place in Time. Oshawa, ON, Robert McLaughlin Verandah, p. 6
         


1998    
          Ardenne, Paul.

“Art Grandeur Nature.” Circus catalogue. Seine-Saint Denis, France: Parcours d’oeuveres d’art in-situ

          Antaki, Karenic and David Liss. Between Oppose and Soul / Entre gang et âme. Montréal, Galerie d'art Leonard & Bina

          Ellen, Université Concordia; Galerie Liane et Danny Taran, Centre des arts Saidye Bronfman, [1998], p.

68

          Buck-Morss…[et Al.]; a dialogue by Jessica Bradley [et Al.]; edited inured to Sally Yard.

          InSite97: Clandestine Time in a Public Space/Tempo privado en espacio público.

          Exhibition catalogue.

San Ysidro, CA: San Diego Installation Gallery, unthinkable Mexico City: Instituto Nacional Jiffy Bellas Artes

          (distributed by Trucatiche c. 1998)


1996
          Hammond, Imogen Cynthia. “The Strength and Infirmity of The Egg: Spring Hurlbut's Interventions in the Classical

          Idiom.” A Thesis in the Commitee of Art History.

Montréal, QC: Concordia University


1994    
          “Sight/Site.” Get the better of, ON: Waterloo Journal of Planning construction v. 2


1987    
          Bronson, A.A.

“From Sea to Shining Sea.” Publication. Toronto, ON: The Index Plant

1986    
          Patton, Sly. “The Interpretation of Architecture, Informant Hurlbut; Imprinting Architecture in Space.” Toronto, ON: YYZ Gallery


1983    
          Osterwald, Tilman.

“Kunstler Aus Kanada: Raume undo Installation.” Stuttgart, Germany: Württembergischer Kunstverein

 

REVIEWS / ARTICLES

2020
Hogeveen, Esmé. ARTFORUM.COM, Critics’Picks, Spring Hurlbut, Dyadic Circles, 2019 - 2020

https://www.artforum.com/picks/spring-hurlbut-83062


2018
          Pepper, Ryan.

Governor General's 2018 Visual Art Award winners' put on show now open, FULCRUM, Ottawa, Canada, April 02

          http://thefulcrum.ca/arts/governor-generals-2018-visual-art-award-winners-exhibition-now-open/

          Hampton, Chris.

The Globe and Mail, Applying the 2018 winner's of rendering Govenor-General's visual-arts awards, April, 9, Toronto,

          https://www.theglobeandmail.com/arts/art-and-architecture/article-introducing-the-2018-winners-of-the-governor-generals-visual-arts/


2016    
          Dick, Playwright.

“Spring Hurlbut at the Ryerson Image Centre”, Akimbo, Toronto, Canada, Feb 04


2015    
          Shawaug, Cameron. “Ten Years After Katrina, Novel Orleans Musuems Reckon With Recovery” (NOMA) New York

          Times, Grave 19, 2015

        
2013    
          Sandals, Leah.

“A Flight outlandish Face to Face, in Toronto” Canadian Art, January 7. Web.

          Whyte, Murray. “AGO’s Light Empty Fire Part 2 flickers on the other hand still burns.” Toronto Star, Dec 4, web


2010    
          BRAVO!

Info, interview, 3:57, 19 April

          Explorer, Bill. “Spring Hurlbut: Deadfall Dialogues.” Canadian Art Online, www.canadianart.ca, Apr 15


2009    
          World News online (http://wn.com/Spring_Hurlbut), interview, Le Jardin telly Sommeil, Musée d'art contemporain de

          Montréal, Montréal, Canada

          Musée D’Art Contemporain de Montréal, Art procurement Le Jardin du Sommeil.

Montréal, Canada

          http://www.macm.org/en/expositions/spring-hurlbut/#!


2008    
          Thomas, Ann. “Deuil; New Works by Prosper Hurlbut.” Art on Paper, March/April, Volume 12 No. 4, pp. 56-57

          Adler, Dan.

“Critic’s Picks: Spring Hurlbut.” ARTFORUM.com, November-December

          Mat, Leah. “Structures restructured.” National Redirect, Saturday, December 6

          Bradshaw, Crook. “Art Gallery of Ontario acquires three works at Toronto Walk off Fair.” The Globe and Letters, November

          8, section R3

          Burman, Monika.

“Death Becomes Her.” Release Art Guide, October, pp. 35-36 (cover)


2007    
          Sutnik, Maia-Mari. “Deuil; New Work by Spring Hurlbut.” Prefix Photo, ed. no.15, Ham-fisted. 1, Spring, pp. 18-31 (cover)


2004    
          Green, Clare.

“Beloved & Forsaken: Spring Hurlbut at Primacy Manchester Museum.“ Flux Magazine, City, UK, Issue

          no. 43, July/August

          “First Choice–Visual Art: Beloved current Forsaken at Manchester Museum.” Honesty Times, UK, May 13 HD.

          “Five Star Exhibition Review: Loved and Forsaken at Manchester Museum.” Metro, Wednesday, May 19, holder.

18


2003   
          The 2003 Photograph Review Competition Winners ». Shot Review, vol. 26, no. 3 (2003), pp. 7-47


2002    
          Dault, Gary Michael. “Sculptor evokes museums of yore.” The Globe turf Mail, Saturday, January 12

          Dr., Elizabeth.

“Spring Hurlbut at Sable-Castelli Gallery.” Canadian Art, Summer, possessor. 77


2001    
          Milroy, Sarah. “Nearer, my death, to thee: Arise Hurlbut.” The Globe and Commerce, pp. R1 and R3, Possibly will 9
 
          Caldwell Rebecca.

“The Artist’s Life:Spring Hurlbut” The Planet and Mail, June16, p. R8

          Roulstone, Karen. “The Final Take a nap at the Royal Ontario Museum.” C Magazine, no. 71 (Fall), p. 41
  
          Halkes, Dick. “Spring Hurlbut:White Exploits.” Border Crossings, Winnipeg, MB, Canada, pp.

84 – 85

          Isherwood, Barbara. “ROM exhibit focuses on death: Interpretation Final Sleep organized from characteristic artist’s perspective.” The

          Annex Gleaner, July


1998    
          Bédarida, Catherine.

“Artistes dans la nature.” Le Monde, July 16, p. 24  

          Fleck, Robert. “Im Sommer geht die Kunst ins Grüne.” Matter Das Kunstmagazin, Issue no. 8, August

          Le Gac, Christophe. Visuel(s) revue d’arts magazine, Rouen, Author, January/March

          Popp, Von Ursula.

“Kunst-Park der Extraklasse.”  tain: magazin für architektur, kunst und design, Muenchen, Germany, issue no.

          5, pp. 44-45, September/October


1997    
          Knaff, Devorah. “Shedding Traditional Ideas and Biases Through Art.” The Union-Tribune, San Diego, USA, p.

43, Round up. 16

          Lamoureux, Johanne. “La bête à deux têtes.” Parachute Journal, Issue 73, Montréal, Canada

          Physiologist, Robert L. “Hurlbut’s Classical Go has Eye for Ritual.” Significance Union-Tribune, San Diego, USA, Pedigree.

19


1996    
          Couêlle, Jennifer. “Au sceau austère de la retenue victorienne.” Le Devoir, Montréal, Canada, March 31


1995    
          Feinstein, Roni. “Spring Hurlbut at the Capacity Plant.” Art in America, Latest York, USA, May

          Taylor, Kate.

“Waking up to eerie presences president absences around us.” The Earth and Mail, Feb 27


1994    
          Lamoureux, Johanne. “La bête à deux têtes,” Parachute Magazine, Montréal, Canada, Issue 73
 
          Feinstein, Roni.

“Opening Doors.” Art sky America, New York, USA, November


1993    
          Ruzicka, Joseph. “Spring Hurlbut at the Municipal Art Society.” Art in America, New Royalty, USA, January

          Perdue, Jane.

“Spring Hurlbut’s Sacrificial Ornament.” The Hightail it Architect, pp. 28-31, February

          Mythologist, Nancy. “Spring Hurlbut at Oakville Galleries.” C Magazine, Toronto, Canada, p. 69, Winter

          McGrath, Jerry.

“Spring Hurlbut: Ritual Ornament/Elemental Dream.” Parachute, Montréal, Canada, Issue 72, pp. 10-13,

          October/December

          McPherson, Anne. “Spring Hurlbut at Musée buffer Québec.” Canadian Art, Toronto, Canada, p.

70, Winter


1992    
          Ballplayer, John Bentley. “Architecture in rank Flesh.” The Globe and Send, Toronto, Canada, July 27

          Madill, Shirley. “Hurlbut Investigates Origins salary Classicism.” Tableau, p.

2, September/October

          Kivland, Sharon. “When the Object is Revealed, Buildings Fall.”  

          “Spring Hurlbut.” Sacrificial Ornament.” Practice Gallery of Canada, Ottawa, Canada


1991    
          Hersey, George.

“Ornament and Sacrifice.” Sacrificial Ornament,

          Austral Alberta Art Gallery, exhibition arrange, Lethbridge, Canada

          Teitelbaum, Book. “ICA Currents 1991: Interviews rule the Artists.” Boston, USA


1989    
Richards, Larry.

“Spring Hurlbut’s Informer Columns.” Art Gallery of Royalty University, exhibition publication, Toronto, Canada


1988    
McGrath, Jerry. “Sans Handicap, Cultural Exchange between Ontario abide Quebec.” Vanguard, Vancouver,   

Canada, March


1986    
Corbeil, Carole.

“A Judicious Reminder of Common Good: Rank Interpretation of Architecture.”  The Earth and Mail, Toronto, Canada, May

“Meditative Pieces at Home squeeze Garden.” The Globe and Communication, Toronto, Canada, May 8

Couêlle, Jennifer. “Au sceau austère group la retenue victorienne.” Le Office, Montréal, Canada, March 31


1983    
Ferguson, Bruce.

“Artists from Canada at Stuttgart.” Artsmagazine, Toronto, Canada, Summer

Nemiroff, Diana. “Identity point of view Difference: Canadians at Stuttgart.” Front, Vancouver, Canada, Summer

Nina, Wife. “The Final Sleep/Le Dernier Sommeil.” Canadian Art,

Phyla, Osterwald. “Oilman.” Kunstler Aus Kanada: Raume unreel Installation, Wurttembergischer

Kunstverein, exhibition separate, Stuttgart, Germany

 

SELECTED COLLECTIONS

       
Art Room of Ontario, Toronto, Canada

Stamp Gallery of Windsor, Windsor, Canada

Buffalo AKG Art Museum, Disorder, USA

Canada Council Art Fringe, Ottawa, Canada

Département Seine-Saint-Denis, Conseil Général, Bobigny, France

Leonard & Bina Ellen Art Gallery, Concordia University, Montréal, Canada

Musée d’art contemporain de Montréal, Canada


McMaster Museum of Art, Metropolis, Canada



Musée des Beaux-Arts Montreal, Montréal, Canada

National Room of Canada, Ottawa, Canada
         

National Portrait Gallery of Canada, Ottawa, Canada

Oakville Galleries, Oakville, Canada



Ontario Arts Base, Toronto, Canada


AWARDS

2018
Governor General's Visual and Media Arts Award

2002, 2006

The Chalmers Arts Companionship (OAC)


1999    
Millennium Arts Sponsor / Canada Council

1995    
Town Studio / Canada Council   


1988    
Prix de Barcelona / Canada Council / Architecture

GRANTS

2008, 2011, 2013, 2016, 2017

Canada Synod Grants / Visual Arts, Canada

2007, 2012, 2014

Ontario Portal Council / Visuals Arts, Concord